All posts filed under: EP Reviews

Sreym Hctim – Turn Tail

Drifting through Turn Tail rings up twin feelings of bizarreness and fervency. The Brooklyn based artist tucks microcosms of formidable sounds inside each of the five irrefutable pieces in the EP – sounds that invigorated from different genres and mostly illustrate the histrionic aspect of music. From plucks of a miniature harp swimming in a distant drone to samples of screeches heard from the Jefferson platform, Turn Tail is an ornate reminder that it’s alright if you feel messed up. Sreym Mctim’s debut album in 2019, Split Ends, Split Head was a sonically tempered representation filled with complex rhythmic phrases, ardently whispered cantillation and fastidiously restrained noise. Split Ends, Split Head’s sound was immensely influenced by indie-pop music and the sound of East Asia. Its dark and coquettish persona was playful, enjoyable, and refreshing. But with Turn Tail all these elements have become even rigorous. With every project Sreym has put out, there has been a distinct change in the playfulness of his sound. Each more intriguing than the last one. In Turn Tail too, …

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Disclosure: Ecstasy

Over the years, Disclosure is whiting down their music. It’s been almost five years since the duo has dropped Caracal, their last full-length LP. But they did not, however, abandon their fans entirely. The duo has released three EPs since Caracal, one of which just dropped last week, titled Ecstasy. A five-song long EP includes Tondo, Expressing What Matters, Etran, Get Close and the title track. Disclosure came out with their four-to-the-floor debut, Settle, during when dance music was growing its mainstream prominence. It was one of the best electronic albums of 2013 with blend-in elements from dance-pop, bass music, deep house, and UK & Future garage. Settle’s crispy and coquettish persona was playful, enjoyable and refreshing, much like UK’s dance music scene that always pushes itself forward. But their follow up project, 2015’s r&b driven Caracal was a bit of a disappointment. The album lost its prominence into the noise of heavy names like The Weeknd, Sam Smith, Lorde, and Miguel and chart-friendly sound. But it is what it is. The duo’s funky-as-fuck sound …