All posts filed under: Album Reviews

Sufjan Stevens – Carrie and Lowell

Thanks to the cold, plain and nifty autumn evening of an ordinary Thursday. This album was almost slipping by if I hadn’t decided to collect as many indie-folk albums as I possibly could back in 2015. Sufjan Stevens is a Detroit born singer-songwriter, multi-instrumentalist and at this point of his career, it’s safe to say that he is an international treasure. Carrie and Lowell is Sufjan Stevens 7th studio album released through Asthmatic Kitty on March 31, 2015, named after his mother and stepfather. The album is a tale of the relationship that he had with his mother and the blocks of feelings that he went through after her death. The album received massively positive reviews from the critics and was considered one of the best albums released in 2015. Carrie and Lowell is Sufjan’s personal album. The lyrics in the album are the projection of him being stuck in the intricacies of emotions and thoughts that he felt after the death of his mother. Carrie was bipolar and schizophrenic. She was an alcoholic and …

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Rabbit Island – Deep in The Big

The troublesome thing about being a musician who writes records similar to Amber Fresh and her friends is that it’s a hard process to decide when to let go and just release a project because the tracks are mostly Lo-Fi and damped or in other words filled with distortion, noises, and reverb that sometimes make the record only less interesting. A reason why most of the bedroom producers who make Lo-Fi music don’t release their tracks and they just end up being a part of live radios or continuous mixes on YouTube. When Rabbit Island posted Songs for Kids from Rabbit Island back in January 2014 on Bandcamp it was distinct, belonging somewhere in between Frankie Cosmos’s why am I underwater?, DADDY COOL, im sorry im hi lets go, pure suburb and Benoît Pioulard’s Hymnal or even the King Creosote and Jon Hopkins’s collaborative project Diamond Mine from 2011. The whole project was analogous to watching our childhood through an 8mm Kodak camera in the early 90s; innocent, honest, pure and mostly heartwarming. The 16 tracks album …