Author: Anuranon Magazine

KURO (OST) – Tujiko Noriko

Listening to the soundtrack of 2017’s feature from Joji Koyama and Tujiko Noriko’s is an ornate experience of serene dissemination that breathes on its own. You don’t necessarily have to watch the movie to find out its haunting elegance and understated rumination. Kuro, an arthouse drama, tells the story of a Japanese woman living in Paris with her paraplegic lover. Soon, the mystery unravels. Weaving together personal history, anecdotes and myths, the story takes a dark turn. Thanks to Berlin’s Pan, whose new offshoot and soundtrack series, Entopia, kicked off its inaugural release with Kuro in May 2019. Kuro’s score, written and composed by Tujiko Noriko, who is also the protagonist of the movie, and mixed by Sam Briton and Will Worsley, is a milieu full of doubt and chimerical essence. It’s a stoic and unruffled ambient experience that feeds off incoherent and stretched melody riffs and humming condensed into a small space avoiding all the oscillation. The last time Noriko put out a project, it was hard to know what would come next to that. But …

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Rabbit Island – Deep in The Big

The troublesome thing about being a musician who writes records similar to Amber Fresh and her friends is that it’s a hard process to decide when to let go and just release a project because the tracks are mostly Lo-Fi and damped or in other words filled with distortion, noises, and reverb that sometimes make the record only less interesting. A reason why most of the bedroom producers who make Lo-Fi music don’t release their tracks and they just end up being a part of live radios or continuous mixes on YouTube. When Rabbit Island posted Songs for Kids from Rabbit Island back in January 2014 on Bandcamp it was distinct, belonging somewhere in between Frankie Cosmos’s why am I underwater?, DADDY COOL, im sorry im hi lets go, pure suburb and Benoît Pioulard’s Hymnal or even the King Creosote and Jon Hopkins’s collaborative project Diamond Mine from 2011. The whole project was analogous to watching our childhood through an 8mm Kodak camera in the early 90s; innocent, honest, pure and mostly heartwarming. The 16 tracks album …

A Soundtrack Worth Remembering – Le Mariage Collectif

If you type in Le Mariage Collectif or Collective Marriage on Google, it’s definitely unlike most of the search results you would get for a movie. There’s not much out there on the Internet about it that might be of your interest. Mariage Collectif has been anything but remembered by history as an important movie, that’s for sure, a fact even admitted by the press release for its soundtrack. A 1971 French drama based upon a married couple having difficulties in a sexual relationship. Sounds lame, right? Well, not everything about this movie is as lame as you think it might be. Conversely, Mariage Collectif could be taken as a minor classic as well. But what has really been noteworthy and significant about it is the soundtrack from Jean-Pierre Mirouze and the story behind the recovery of the album. Even though, Mariage Collectif’s soundtrack is considered one of the most fascinating soundtrack out there and has influenced many sounds of 21st century, the album was once long forgotten and had been conserved through only a handful …

The Rise And Fall of Non-Film Music in Kolkata

For a few years when I was in my preadolescence, my favourite (Bengali) band was Cactus (ক্যাকটাস). I loved its early 00s mellow aesthetics; I loved the blues, pop-rock and psychedelic flux, bedded with the furor over creative and pioneering ideas. It was an odd thing. Especially for someone of that tender age who didn’t understand a single word singing along with the guitars and drums. It’s difficult to articulate now exactly what I liked about the band at that time beyond that the music resonated with my general preadolescent angst, but I do remember headbanging with the guitar riffs and drums every time I listened to them. I continued to follow Cactus along with other bands and solo acts like Fossils, Krosswindz, Chandrabindoo, Anjan Dutta, Nachiketa Chakraborty, Bhoomi, Lakhhichhara, Srikanto Acharya, Lopamudra Mitra and the trailblazer Moheener Ghoraguli for several more years til the late 2009 or early 2010. The enthusiasm, however, gradually waned. The more time passed, the less likely it seemed that I would ever retake interest in listening to my once favourite …